An Educational Resource- 3D Scanning

FROM THE SCULPTOR’S STUDIO

If you remember, back in September I reported about my friend Tom who came and scanned the small sculpture and the chair for me before I had to put the small maquette of Booker T. through the mold-making processes. I’m so glad he could do that and wait to get paid because, as you can see, the sculpture was damaged in the mold making process. If I waited to scan until after making the mold for the foundry, I would have had to fix the clay, and it would not be as it was when it was approved. He was glad to use this as an educational process for his nephew. Lex is a freshman at UT Arlington and is studying aerospace engineering and scanned the pieces.

In this educational video on 3D Scanning we talk about the process and much more. The scanner used on this project is a Creaform.

The Maquette

FROM THE SCULPTOR’S STUDIO

The foundry goes through their process of casting. It is called the lost wax method of bronze casting. I did not get photographs of that part of the process for the small sculpture, but we will have many photographs of this for the large monumental work. You can check out my website Process page for wax. This talks about the wax, how it is made and how the foundry makes a ceramic shell. Then there is the bronze pour. You can see examples of this in Casting and Metal. However, it is still not done. They have to grind and weld things together.
Patina
The final part of this bronze process is the patina. I was at the foundry for this. The foundry man will take different chemicals and put it on the heated metal. This causes a chemical reaction. Once he is done, the sculpture is waxed. Finally, they mount the sculpture on a wooden base. I could hardly wait to bring it to the school. If you would like to order one of these sculptures, please contact Booker T. Washington High School.

Getting the Maquette Ready For Casting In Bronze

FROM THE SCULPTOR’s STUDIO

Mold Making. Clean up and Seam the Sculpture.
There is much to do when making a mold. After Everything is as clean as I can get it, I first seam up the sculpture. Seaming up the sculpture takes a specially trained eye to know what will pull from where. I make my seams with playing cards. In the end, I need to get wax out of the mold that I make.

Painting Rubber
Slowly I put coats of rubber on the mold. The rubber is only the first part. Then I need to create a mother mold that will hold this rubber in place. There are things that I have cut off of the sculpture. Booker T’s lapel, his hands, and his book are made separately, and of course, he is taken off the chair. Because his suit coat falls over the chair edge, some of it is still on the small chair.

The Mother Mold
This mother mold is made of plaster and holds the sculpture in place. There are several molds. The chair is one mold. Booker T. is another mold. His book is a third mold and finally his hands and lapel. After the mother mold is complete, I take out the original. Usually, the original is lost in this process. Yes, the original is gone, or at least damaged. But that is o.k. we have a mold from which to cast.

A Wax Pour
The foundry then pours a thin layer of wax in the mold. The final bronze is only as thick as this wax that we make. The artist or foundry man will clean each of the wax pieces. They will then take Booker T and register him to the chair. All the details are finalized in the wax before sending the work to the foundry.

If you would like to see how I do this on a larger sculpture, be sure to check out my website. There is a Process section of her website, and the Mold making, process, and creating the wax are listed there. The monumental sculpture of Booker T. will go through this same process.

3D Scanning!

FROM THE SCULPTOR’S STUDIO
It is unusual that we would go into this next step, until we got further into the project financially, however, I know the man from this scanning company. We are very old friends. I figured if they could get the scans ready, I could pay for them as soon as the school got more funding. Tom was gracious enough to go with that as they were also using it as a learning tool for his nephew, a UT Arlington student— Lex Bocanegra. Lex is studying Aerospace Engineering. When the scans are ready, I’ll put together a video about the entire scanning process. It is fascinating. But here is a quick look.
I need a scan of the real chair. A scan of Booker T in the small chair and then just a scan of Booker T. I will use Booker T’s scan to fit him into the scan of the real chair. Our small chair is nice for what it does, but it does not look exactly like the real chair from that period. Just wait for the video. All of this will begin to make sense.

3D Scanning is a great entry level field for students to consider.

The Creaform Scanner captures great detail quickly and acurately.
Lex is learning quickly.

Approval of The Maquette!

FROM THE SCULPTOR’S STUDIO
It has been a long time coming. Having the team in my studio was the most people in the studio at one time. Some tweaks on the sculpture and the small maquette is approved. What is the next step? I will get it ready for bronze and preparing it to be 3D Scan. I’ll have to cut Booker T. Washington off of the chair for both. Working small is much harder than working large. One small move, and it makes all the difference. I can’t wait to get working on the monumental sculpture. I hope we can move to the next part of the project quickly.

Completion and Covid

FROM THE ARTIST’S STUDIO
No doubt Covid is playing havoc on more things than the work in my studio. Being alone or away from people is really nothing new for an artist and writer. However, I’m at risk, so I’m very careful.

I’m busy finishing up the small maquette of Booker T. Washington. Going through every detail is time-consuming. There is a trajectory, though I think a pandemic has thrown us all for a loop.

  • I hope to get the small sculpture approved by the school soon.
  • The next step will be to get it into mold for bronze casting
  • but before I can do this, we will need to have him 3D Scanned

Meanwhile, I have another commission in the studio. As I said, I love to look at the history of the subjects. This other commission is of Jack Johnson. I could not help but wonder if the two men had interactions. My mind often thinks in a spider web sort of pattern. One thing leads to another. As I research the people and their interactions with the world and each other, I’m intrigued. We know Booker T. lived 1856-1915. Jack Johnson was “The First African American Heavy Weight Champion.” He lived 1978-1946.

For Teachers and Students

  • Was there ever a pandemic or plague in the time of Booker T Washington?
  • Did Booker T and Jack Johnson think alike? How were they different? How would you describe their contributions?
  • As I researched “plague and Booker T. Washington” I learned that Tuskegee college was involved in the U.S. Public Health Service Syphilis Study at Tuskegee. I didn’t know it was there. Did you? What is it, and why is it important? (This was long after Booker T. )
  • Was Booker T. Washington involved in health education? What was “National Negro Health Week?” Why was it important? What did Booker T. have to do with it?

Files For 3D Printing?

Screen Shot 2020-03-20 at 1.52.04 PM
Pixologic has lots of tutorials on different things concerning creating and 3D printing.

FROM THE ARTIST’S STUDIO

You may remember that in previous posts, sculptor Bridgette Mongeon talked about G-code. That is what a machine needs to be able to 3D print, or CNC, which stand for computer numerically controlled milling. 3D scanners also use G-code.

Just like when you work on a picture on the internet, there are many different types of files. For example, you can create a photo file as jpg, png. giff, pdf’s and more . There are also many kinds of files, depending on the software you are using and the software version. So it is with the case of 3D printed data. There are a couple of different types of files. To print your work correctly the files from your machine have to be able to translate that G-Code correctly.

Marc Eberle in New York and Bridgette in Houston were working on the file of Booker T. Washington’s book. They both work in a program called Zbrush. Bridgette also works in a program called Mudbox and wrote a book on that as well. Mark and Bridgette can send Zbrush files back and forth, but they have to be sure they are both working in the same version of Zbrush. The other option in sending a working software files is to send a 3D print files to someone in a recognizable format.  These are usually an STL or an OBJ. What is the difference? 3D printer Insider created an article that describes the differences between STL and OBJ’s. Pixologic also has a great article on how to prepare your files for 3D printing should you like to learn more.

Bridgette talks a lot about the pitfalls when 3D printing. She learns from her experience and shared a lot in her book 3D Technology and Fine Art and Craft: Exploring 3D Printing, Scanning, Sculpting, and Milling. No need to go get the book, just keep watching this blog, she will be sharing a lot of that information here. In the next post, we will look at how to fix a file and what can be wrong with a file that might keep the file from printing. There are a few free programs that allow you to be able to check your files for 3D printing.

Teachers and Students

If you would like some free software to start working in 3D check out the following:

Sculptris -Pixologic, the makers of Zbrush, has Sculptris. It is free and an excellent way to begin creating in 3D. It is available for Mac and PC. You will have to download it.

Tinkercad  – works in a browser, so there is nothing to download

Vectary– works in a browser, so there is nothing to download

We will post some more for you later. Please let us know if you create anything with these programs. We would like to see it.

Author Sculptor Bridgette Mongeon

https://www.instagram.com/bridgettemongeon/
https://www.facebook.com/BridgetteMongeonSculptor/
https://twitter.com/sculptorwriter

Technology Comes Into the Art Again. Booker T. Washington’s Book.

FROM THE ARTIST’S STUDIO
booker t book_2Dr. Phillips wanted to switch out the papers in Booker T. Washington’s lap. Instead, it would be Booker T. Washington’s Book Character Building.  Originally, Dr. Phillips had a new version of the book.  After consideration, Bridgette decided to make it into an older version of the book.  After all, the modern paperback books would not be around until 1935.  Changing to a more original version was done for several reasons. The first is that the viewer might not see the book title if Booker T. Washington’s left hand is holding it open.  Instead of trying to sculpt such a tiny book with tiny text, Bridgette decided to do it digitally.

booker t book
Bridgette decides to create a separate design of the book one where the cover is connected so that the students at Booker T. Washington High School and others can 3D print it out and have their own tiny book used in this small sculpture of Booker T. Washington.

Mark Eberle in Western NewYork has helped Bridgette on several different projects, including education on 3D Technology in the Western New York area.  Once again he came through. Mark and Bridgette created the book in a digital sculpting program called Z Brush.  There is a free sculpting program that is offered by the same company. It is called Sculptris, should any students be interested in check it out. The other problem was that Bridgette was not sure how open the book would need to be. She could not really decide this until she worked on the design and the hands. So, to remedy this situation, Bridgette separated the cover.  That way, she can tip the cover to whatever angle she needs. Mark 3D printed the book on a Form Labs 3D print. If you remember, we discussed the different types of 3D printing. Form Labs is one of the best consumer 3D printers. It uses the stereolithograpy ( SLA) process of 3D printing.

    TEACHERS AND STUDENTS

  • To obtain STL FILES or OBJ’s for 3D printing follow this link.
  • If you would like to learn more about STL and OBJ files check out this article by 3D Insider.

Author Sculptor Bridgette Mongeon

https://www.instagram.com/bridgettemongeon/
https://www.facebook.com/BridgetteMongeonSculptor/
https://twitter.com/sculptorwriter

Booker T. Or “There You Are Peter “

FROM THE ARTIST’S STUDIO

DurScreen Shot 2020-03-15 at 9.23.18 PMing the process of sculpting, I always find there is a moment that reminds me of a scene in the 1991 movie “Hook.”  A little boy squishes up Peter Pan’s face and finally recognizes the little boy inside him. I have these moments when I’m pushing the clay around and “feel” I have the face of the subject. Sometimes I even say that line of the movie out loud. I’m definitely feeling comfortable about Booker T. Washington’s face. He is on a toothpick stuck inside of a block of clay.  I love to be able to turn him upside down and around.  I’m getting much closer. You can see some video of my Booker T. Washington sculpture in progress on this Feb 12th Instagram and this  Feb 14 Instagram post.

Teachers and Students
We learned about all of the cool math in the body, and about Leonardo Da Vinci’s obsession with proportions. I have sculpted many faces, and it always fascinates me about the proportions.  Sculpting and drawing are really about comparing one thing you have drawn or sculpted to another.  I used to teach Drawing on the Right Side of the Brain and would talk about this all the time.  Here is a cool video on how you can check the proportions of your own face using string.

As a portrait sculptor, I have studied many different aspects of the face. One of my favorite things is the facial action coding system by Psychologist Paul Eckman. Paul has studied emotion in the face and can tell when people are lying just by watching their face. I have a very freaky story to tell you about my experience with that research, but it is too long to go into here.

Creating real expressions in animation is hard. Animators have been using Facial Action Coding to create realistic faces.  This video from the University of London talks about Animation and the Facial Action Coding.

Animation studios also use something called Motion capture or mo-cap.  They have actors wear optical markers that capture the motions in the face and body.  Disney created the movie A Christmas Carol with Jim Carrey in this way. With a head-mounted camera, the animators can capture the expression and transfer it to their animations. I wonder how hard it must be for an actor to act in these costumes and without the visual props.

Author Sculptor Bridgette Mongeon

https://www.instagram.com/bridgettemongeon/
https://www.facebook.com/BridgetteMongeonSculptor/
https://twitter.com/sculptorwriter